Two boys lean up against the south side of Stockton Town Hall. The impressive Stockton Borough crest can be seen above the door. Behind the boys is Collingwoods the jewellers at 131 High Street c1910.
The Globe Theatre has been holding behind the scenes tours throughout the year and I was fortunate to ‘tread the boards’, well – very nearly anyway, during a visit in June which was lead by Sophie the designated SBC Learning Heritage Officer. After something of a stuttering start the renovation of this former 1930’s art-deco theatre is now back on track with builders Willmott Dixon taking ‘centre stage’ and driving the project through to a planned Spring 2019 opening of what is hoped will be a 3,000 seater nationally renowned live entertainment venue were the likes of The Beatles, Cliff Richard and Mike and Bernie Winters, Mike and Bernie Winters ?, all performed as well as local amateur dramatic groups and touring dance and ballet companies .
The tours begin next door in the former offices of the Cordell Group were you are kitted out in boots, hi-viz jacket and a hard hat and the now obligatory ‘elf and safety briefing before being taken into the theatre for what is a fascinating look behind the scenes with the building stripped bare to reveal it’s solid construction which remains solid to this day some 80 years later and which accounts for it’s longevity and survival when lesser building would have crumbled and been demolished. The huge stage area is very impressive and the boxes and balconies to either side still survive with some of the original paint and décor still to be seen and come the re-opening the colours and hues will be faithfully replicated wherever possible. The Globe has it’s own Facebook page were you can follow the progress of the restoration project and post your own memories and recollections of your visits to the Globe be it as a theatre, cinema or bingo hall.
Photographs and details courtesy of David Thompson.
Having attended the recent heritage open day at Thornaby Town Hall, I though I would share some photos showing progress on the restoration.
After comparing with the Gazette images from 2017 you can see that excellent progress is being made, especially to repair the plasterwork ceiling of the main council chamber, great workmanship takes time. The shape of the plot and the central spiral staircase results in a very quirky layout inside. Thanks go to all the volunteers involved in the open day.
Photographs and details courtesy of Jonathan May.
The ‘Angel Room’ which was part of the Portrack Grange cottages is believed to have been a Georgian tavern used by sea captains. The cottages stood on the bend of the River Tees before cuts were made to straighten the river. The plaster-work seen in the photographs is dated early to mid-18th century. The buildings were possibly some of the first brick buildings in Stockton (c1660s) and were apparently demolished c1959.
The Stockton Flyer a moving mechanical sculpture emerges from a plinth with gushing steam, moving wheels, bells and whistles! The sculpture first emerged from the plinth to mark the Queen’s official 90th birthday on Sunday 12 June but visitors to Stockton High Street can watch the Stockton Flyer appear at 1pm each day.
Submariner Wilf Foundling Stoker 1st Class was reported missing along with 70 other crew members in January 1943 on board HMS P311 in the Mediterranean Sea. Last month the sub was finally discovered off the coast of Sardinia.
I think Wilf came from the Derby Terrace area of Thornaby, he was the son of Arthur and Jane Foundling. He is remembered on the Thornaby Cenotaph & The Chatham Naval War Memorial. Wilf was 21 when he went missing. The P311 was to have been named HMS Tutankhamen but was lost before being named. She left Malta in December 1942 carrying 2 chariots for a dangerous mission against Italian cruisers. However she was believed mined and lost in January 1943. She has been identified off Sardinia still with her external cargo chariots attached.
Wilfs niece who he taught to play “alleys” still lives in Stockton. His nephew Dave Foundling went to Richard Hind with me.
Photographs and details courtesy of Norman Hill.
A view of the “Victoria Buildings” – it is a crying shame such a beautiful building should be knocked down. The architect has ranged far and wide for his ideas, some of the windows have Greek style arch decorations above them others have Roman style, the facade is topped off with Dutch style gables, these appear to be purely decorative because there doesn’t seem to be any structure behind them, if this is so then presumably the windows in the gables are false as well.
The two octagonal corner towers flare out from the building in a similar fashion to the castles seen in Hungary and Bavaria, the two domes don’t seem to be the normal copper clad variety as they seem to have a slight sheen as if painted instead of the matt look of the copper types. The shop fronts are terrifically high by modern standards, they are at least twice the height of the people in front of them, this would make them at least 12 feet high and possibly higher, I remember the frontages being made with highly polished dark wooden frames and glass which on the odd occasion would be curved.
Other things I have noticed are, directly behind the main building is a hip roof with a chimney stack, to my eye this doesn’t seem to be part of the main building but another building behind it, the chimney stack doesn’t have the black decorative band around it that the main building has and also the chimney pots vary in size unlike the main building.
Slightly to the left of the building is a bay windowed building with words across it just below the eaves, are there any sharp sighted visitors that can make out what the words are?.
The house behind the church has a strange looking object that appears to be perched on the top of the chimney, I have no idea as to what it could be, if it had been 50 years later I would have thought it to be a telegraph pole. Slightly to the left and in the distance is a curved roof box van of the type often seen being towed by steam rollers, these vans carried the tools and equipment used by road repair gangs, they were still in use when I was a child in the 1950s, this one appears to be horse drawn.
Some of the lamp post have cast iron bollards around them, were they hitching posts for the many horses to be seen in that era?, I have seen similar hitching posts in Europe and America where they often have a cast iron horses head perched on top of the post.
In the foreground is a young boy with another child on his back, I remember carrying my many brothers and sisters around in that fashion.
Just in front of the canopy of the leftmost shop is a black sign with two white ovals on it, surely it’s not ‘Specsavers’ circa 1895?
Photograph and details courtesy of Bruce Coleman.
This printed image which I believe, from the velvet frame parts dates from about 1880. The girl is carrying a basket that has Alex Holmes Stockton-on-Tees printed on the side. I was wondering if this was a generic type print, or specific to the company. There are a couple of buildings in the background.
The odd thing is, I found this in Saint John, NB, Canada about 30 years ago. My family on my Mum’s side, including her, all come from around Stockton. They were Dickens (grandmother’s side) and Humplebys (grandfathers side). The print now lives on Canada’s west coast. Any information would be appreciated.
Image and details courtesy of Noel Fowles.
This is one of a number of bowls made from the clay excavated from the basement and foundations of the Municipal Buildings in Church Road, Stockton-on-Tees. The bowls were presented to guests at the Official opening ceremony. The throwing, if that is the correct word, of the bowls was organised by the head of the Art Department at Constantine Technical College, Middlesbrough. I received one having been involved in the design of the buildings when working in the Borough Architects Department. At that time we were housed in the single storey prefab shared with the Corporation Housing Department on Thistle Green. The bowls were of special interest to me as the clay used was possibly under, or very close to, the site of my great grandmother’s shop on Thistle Green circa 1900. She was Lucy Wilkinson born in 1847. The bowls probably have very little value but the provenance of mine is priceless.
Photograph and details courtesy of James Bridge.